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| Ku’uipo Latonio | |||||||||||||||||||||||||||||||||||||||||||
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One of my teacher describes Lomi Lomi as following: LOMI LOMI – HAWAIIAN TEMPLE BODYWORK By Ku’uipo Latonio, October 2002 “Lomi”: Hawaiian word meaning: to rub, massage, to work in and out. There are many forms of lomi lomi in Hawaii, each form originating from individual families who developed, nurtured and passed down their form from generation to generation. Each family has its own form of healing/massage that primarily uses hands. Lomi stones and/or sticks, herbs (la’au lapa’ au), and prayer may also be used. I received treatments with most of the above, as a child growing up in the islands. When I was being treated by the “Kahuna Lomi” (priest or priestess –“keepers of the secrets”) much of the massage took place in my “opu” or belly and then the practitioner would move the “energy” down and out through my hands and feet. Now here is a brief history of this specialized form of lomi that I have studied and practiced for the past 10 years. Its modern name is “Hawaiian Temple Lomi”, its ancient name “Lomi Kapalele” is used exclusively by the only living Kahuna whose lineage originates this particular form of lomi. This form is quite different than what I had experienced as a child. This style was developed in ancient temples thousands of years ago in old Polynesia and most often used as a nature based “Rite of Passage Ceremony” on three very specific occasions: 1) For children moving into puberty, assisting them in letting go of “parental strings” and becoming responsible young adults; 2) For the “Ali’i (royalty) or anyone who was going to take on a position in the community, requiring maturity and lack of attachment to “ego self”; and 3) For those who had illness of the body, mind, emotions or spirit. This treatment was often combined with “Ho’oponopono” meaning “to make right.” Family, often including extended family, attended this part of ceremony in order to clear everyone’s minds and hearts of misunderstandings. This “Lomi” is a dancing/martial art form. Its movement, as in most martial art forms, mimics an animal form. It specifically imitates the flight of the “iwa iwa” or frigate bird. The iwa iwa is known for its ability to fly great distances with very little food, water or rest. This dance came out of the Hawaiian martial art called “Lua.” The warriors used this activity to build strength, endurance, focus, and presence. It was a moving meditation that would put them into trance and connect them with the Gods or the Divine Ones. When the Kahuna integrated this movement with the lomi and combined with the “pule” or prayerful intention, it became a spiritual and transformational form of bodywork. It is meant to clear out old patterns that no longer serve the individual. The ancient Hawaiians believed that this work actually rearranged the DNA and affected lineage, past, present and future. The modern day practitioner still goes through rigorous training and initiations in preparation to perform this art. Some of the emphasis of this form has also to do with the harmony of the space where the lomi is performed. Ancient people understood the importance of creating “sacred space” so that the practitioner, as well as the receiver, feels supported and aligned in order to experience this sacred work. This combination of sacred place and sacred ceremony allows both giver & receiver to be deeply connected to the creator, the life force within and one another. Temple lomi works on all levels: mentally, emotionally, physically and spiritually. Physically, the entire body is massaged in mostly fluid movements, emanating from the elemental forces of wind and water. Sometimes the movement is fiery (explosive) or earthy (still and focused). This can be determined by the alchemy that is available to both initiate and facilitator/initiator. When the groundwork is laid and all are present for the journey ahead, the experience can be quiet and mystical or emotionally profound, but definitely “heart opening”. In ancient times a lomi session would take 15 hours and could go on for many days. In these accelerated times, sessions can last anywhere from 3 to 6 hours, and can be tailored to the receiver’s desires. In present times, an individual who decides to come for a session is often ready for a life shift and is usually willing to release old patterns and welcome new thoughts and aspects! There are many ways to describe the experience of a lomi session. As a practitioner and a receiver, I find this work extremely nurturing, loving, calming yet evocative, playfully sensual and delightful, opening, softening, creative and inspirational. It can also be physically and emotionally deep, depending on the needs of person receiving. Breath work is essential for both practitioner and receiver as the session can be considered a “birthing,” a time of renewal and unfolding. My practice includes many other traditions and disciplines, as well as various massage techniques. In the ceremonial part of the session, the Four Directions and the “Elements” are honored since this is “nature based” work. I treasure this work. I am grateful and honored to have this beautiful creative dance in my life. This practice and lifestyle have brought me into a greater awareness of myself as well as my connection to nature and my soul’s purpose. It has guided me deeply into my life’s journey. It has allowed me to continuously evolve and be present and open to experience life in new, exciting and wonderful ways. It constantly challenges me to be grounded in humility and healthy in my mind, body, emotions and spirit. It is not possible to perform this work without good health and vitality on all levels. I also enjoy being a facilitator and witness to the numerous shifts in my clients lives. I invite you to join me in this very special adventure of Hawaiian Temple Bodywork and Life Ceremony to prepare you for the next part of your journey. Ku’uipo is a native of Hawaii and has been involved in the healing arts for nearly twenty years. She has studied and practiced various forms of yoga, massage, sacred dance & martial art movement and chanting as well as nature awareness. She has taught “Sacred Dance” and conducted special Ceremonies & Workshops at the New York Open Center and other places in Manhattan. She specializes in an ancient form of Hawaiian bodywork, called “Lomi Lomi or Hawaiian Temple Bodywork” which she teaches and performs in Hawaii, the East Coast (NJ, NY, MA) as well as in California. Ku’uipo is also a priestess in the Wicca tradition and also in the “Ministry of Fun –Church of One”. Ku’uipo also involves herself in Improvisational Theater. Written by Ku’uipo Latonio, Lomi Practitioner & Instructor 732 263-0204 E-mail: ku-uipo@juno.com Websites: www.templedance.com & www.hawaiianmassage.com |
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Phone/Fax: 0711-236 8 349 Ø Email : info@lomi-lomi-stuttgart.de |
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